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小 发表于 2008-4-11 20:27 只看该作者
Albert Collins, Lonnie Mack, Roy Buchanan Live At Carnegie Hall Part 1
Albert Collins, Lonnie Mack, Roy Buchanan Live At Carnegie Hall Part 2
Albert Collins, Lonnie Mack, Roy Buchanan Live At Carnegie Hall Part 3
1984年的联合现场。Lonnie Mack提到了SRV。
有大量对Robbie Robertson的采访。
介绍：
Albert Collins
Born in Leona, Texas, Collins was a distant relative of Lightnin' Hopkins and grew up learning about music and playing guitar. His family moved to Houston, Texas when he was seven.Throughout the 1940s and 1950s, he absorbed the blues sounds and styles from Texas, Mississippi and Chicago. His style would soon envelop these sounds.
He formed his first band in 1952 and two years later was the headliner at several blues clubs in Houston. By the late 1950s Collins began using Fender Telecasters. He later chose a "maple-cap" 1966 Custom Fender Telecaster with a Gibson PAF humbucker in the neck position and a 100 watt RMS silverfaced 1970s Fender Quad Reverb combo as his main equipment, and developed a unique sound featuring minor tunings, sustained notes and an "attack" fingerstyle. He also frequently used a capo on his guitar, particularly on the 5th, 7th, and 9th frets. He primarily favored an "open F-minor" tuning (low to high: F-C-F-Ab-C-F).
Collins began recording in 1960 and released singles, including many instrumentals such as the million selling "Frosty".In the spring of 1965 he moved to Kansas City, Missouri and made a name for himself.
Many of Kansas City's recording studios had closed by the mid 1960s. Unable to record, Collins moved to California in 1967. He settled in San Francisco and played many of the venues popular with the counter-culture. In early 1969 after playing a concert with Canned Heat, members of this band introduced him to Liberty Records. In appreciation, Collins’ first record title for United Artists "Love Can Be Found Anywhere", was taken from the lyrics of "Refried Hockey Boogie". Collins signed and released his first album on Imperial Records, a sister label, in 1968.
Collins remained in California for another five years, and was popular on double-billed shows at The Fillmore and the Winterland. Collins moved back to Texas in 1973 and formed a new band. He was signed to Alligator Records in 1978 and recorded and released Ice Pickin'.He would record seven more albums with the label, before being signed to Point Blank Records in 1990.
Throughout the 1980s and early 1990s, Collins toured the United States, Canada, Europe and Japan. He was becoming a popular blues musician and was an influence for Coco Montoya, Robert Cray, Gary Moore, Debbie Davies, Stevie Ray Vaughan, Jonny Lang, Susan Tedeschi, Kenny Wayne Shepherd, John Mayer and Frank Zappa.
In 1983, when he won the W. C. Handy Award for his album Don't Lose Your Cool, which won the award for best blues album of the year. In 1985, he shared a Grammy for the album Showdown!, which he recorded with Robert Cray and Johnny Copeland. The following year his solo release Cold Snap was also nominated for a Grammy.In 1987, John Zorn enlisted him to play lead guitar in a suite he had composed especially for him, entitled "Two-Lane Highway," on Zorn's album Spillane.
Alongside George Thorogood and the Destroyers and Bo Diddley, Collins performed at Live Aid in 1985, playing "Who Do You Love?", "The Sky Is Crying" and "Madison Blues", at the JFK Stadium. He was the only black blues artist to appear.
Collins was invited to play at the 'Legends Of Guitar Festival' concerts in Seville, Spain at the Expo in 1992, where amongst others, he played "Iceman", the title track from his final studio album.
He made his last visit to London, England in March 1993.
After falling ill at a show in Switzerland in late July 1993, he was diagnosed in mid August with lung cancer which had metastasized to his liver, with an expected survival time of four months. Parts of his last album, Live '92/'93, were recorded at shows that September; he died shortly afterwards, in November at the age of 61. He was survived by his wife, Gwendolyn and father, Andy Thomas. He is interred at the Davis Memorial Park, Las Vegas, Nevada.
Collins will be remembered not only for the quantity of quality blues music that he put out throughout his career that has inspired so many other blues musicians, but also for his legendary live performances, where he would frequently come down from the stage and mingle with the audience whilst still playing. This practice was illustrated in Collins' uncredited cameo appearance in the film Adventures in Babysitting. He insisted to Elisabeth Shue that "nobody leaves here without singin' the blues", forcing the children to improvise a song before escaping.
Another instance of Collins' humorous stage presence was recounted in the film documentary, Antones: Austin's Home of the Blues. Collins left the building, still plugged in and playing. Several minutes after Collins returned to the stage, a pizza delivery man came in and gave Collins the pizza he had just ordered when he left the building. Collins had gone to Milto's Pizza & Pasta through an adjoining alley and ordered while he was still playing.
Lonnie Mack
onnie Mack (born Lonnie McIntosh, 18 July 1941, Dearborn County, Indiana) is an influential rock and blues guitarist. He recorded as a featured artist until 1990, and as a session artist until 2000.
In 1963, Mack recorded several full-length rock guitar instrumentals with a strong blues foundation, the best-known of which are "Memphis", "Wham!", "Suzie-Q" and "Chicken-Pickin'", all released as singles in 1963. These instrumentals are often said to have marked the beginning of the blues-rock guitar genre, which, in turn, was largely responsible for transforming the role of the electric guitar from that of primarily an accompanist's instrument to that of a second lead voice in rock & roll music during the late 1960s.
The earliest of these, "Memphis", was described by music historian Richard T. Pinnell, Ph. D., as "a milestone of early rock guitar"[1] and by Guitar World magazine as the premier "landmark" rock guitar recording of all time. In 1993, music critic Jimmy Guterman ranked the 1964 album containing these, and nine other early Mack tunes, 16th among the top 100 rock albums of all time. These recordings influenced a generation of guitarists, including Duane Allman and Stevie Ray Vaughan.
Lonnie Mack is also known for his "blue-eyed soul" ballads, and the diversity of his repertoire, which included country, blues, rockabilly, southern rock, R&B, roots-rock and gospel. In the 1960s his recordings emphasized roots-rock, blues-rock and R&B; in the 1970s, country; in the 1980s, rockabilly and blues-rock.
Mack recorded numerous singles and twelve original albums as a featured artist. He also recorded with The Doors, Stevie Ray Vaughan, James Brown, Freddie King, Ronnie Hawkins, Albert Collins, Roy Buchanan, Troy Seals, Dobie Gray and the sons of Arthur "Big Boy" Crudup, among others. For much of his career he performed in roadhouses and honky-tonks. However, he also toured internationally and performed at major venues, including the Ryman Auditorium, the Fillmore East, the Fillmore West and Carnegie Hall. Now semi-retired, Lonnie Mack still occasionally performs with his trademark 1958 Gibson "Flying V" guitar.
Roy Buchanan
Roy Buchanan's musical career began in Pixley, California. His father was a sharecropper (not a Pentecostal preacher as Buchanan himself had claimed). Buchanan told how his first musical memories were of racially-mixed revival meetings his family would attend. "Gospel," he recalled, "that's how I first got into black music". He in fact drew upon many disparate influences while learning to play his instrument (although he later claimed his aptitude was derived from being "half-wolf"). He initially showed talent on the steel guitar before switching to the standard instrument in the early 50's.
In 1957, Buchanan made his recording debut, playing the solo on Dale Hawkins' "My Babe" for Chicago's Chess Records. Three years later, Buchanan headed north to Canada, where he took charge of the guitar role in Ronnie Hawkins' band (a group later to gain fame as The Band). The group's guitar player, Robbie Robertson, studied guitar under Buchanan, and took over the lead guitar spot when Buchanan left the group.
The early 60's found Buchanan performing numerous gigs as a sideman with multiple rock bands, and cutting a number of sessions as guitarist with musicians such as Freddy Cannon and Merle Kilgore.
Buchanan's 1962 recording with drummer Bobby Gregg, "Potato Peeler", first introduced the trademark Buchanan pinch harmonics. An effort to cash in on the British Invasion caught Buchanan with the 'British Walkers'. In the mid-'60's, Buchanan settled down in the Washington, DC area, playing as a sideman before starting his own groups. One of these groups was called The Snakestretchers, an allusion to Buchanan's disdain for the vagaries of the band experience. The Snakestretchers became a semi-permanent combo for Buchanan starting in this period, with whom he made his first acclaimed recording as a front man. Danny Gatton was another respected Telecaster master who lived in Washington, D.C. at that time. Both musicians gained reputations as under-appreciated guitarists.
In 1971, riding on word-of-mouth reputation that included praise from John Lennon, Eric Clapton, Merle Haggard, and an alleged invitation to join the Rolling Stones, Buchanan gained national notoriety as the result of an hour-long Public broadcasting television documentary. Entitled "The Best Unknown Guitarist In The World", the show rejuvenated a contract with Polydor and began a decade of national and international touring. He recorded five albums for Polydor (one went gold) and three for Atlantic Records (one gold), while playing most major rock concert halls and festivals. Finally, Buchanan quit recording in 1981, vowing never to enter a studio again unless he could record his own music his own way.
Four years later, Buchanan was coaxed back into the studio by Alligator Records. His first album for Alligator, When a Guitar Plays The Blues, was released in the spring of 1985. It was the first time he was given total artistic freedom in the studio. It was also his first true blues album. Fans quickly responded, and the album entered Billboard's pop charts and remained on the charts for 13 weeks. Music critics, as well as fans, applauded Roy's efforts with favorable reviews.
His second Alligator LP, Dancing on the Edge, was released in the fall of 1986. The album, featuring three songs with special guest, rock'n'soul vocalist Delbert McClinton, won the College Media Journal Award for Best Blues Album of 1986.
He released the twelfth LP of his career and his third for Alligator, Hot Wires, in 1987. In addition to Donald Kinsey (formerly with Albert King and Bob Marley), keyboardist Stan Szelest, and Larry Exum (bass) and Morris Jennings (drums), this album includes guest vocals by veteran soul singer Johnny Sayles and blues singer Kanika Kress.
Buchanan used a number of guitars throughout his career, although he was most often associated with a 1953 Telecaster guitar, which he used to produce his trebly signature tone. Rarely did Buchanan utilize 'stomp boxes' although later live performances utilized a digital delay. The 'sound' of Buchanan is essentially a Telecaster to an overdriven Fender amp on 10.
Buchanan taught himself many guitar styles, including the 'chicken pickin' style. He sometimes used his thumb nail rather than a plectrum and also employed it to augment his index finger and plectrum. Holding his thumb at a certain angle, Buchanan was able to hit the string and then partially mute it, suppressing lower overtones and exposing the harmonics, a technique now known as 'pinch harmonics'. Buchanan had the ability to execute pinch harmonics on command, and could mute individual strings with free right-hand fingers while picking or pinching others.
Having first trained as a lap steel guitarist, Buchanan would often imitate its effect and bend strings to the required pitch, rather than starting on the desired note. This was particularly notable in his approach to using double and triple stops. Staccato hammer-on/offs and volume/tone knob sound effects were also used by Buchanan.
Buchanan honed his live technique through many years of playing dance halls and bars. Buchanan played Carnegie Hall several times, and is perhaps the only lead guitarist to have consistently headlined there for over 15 years.
Buchanan encouraged a tradition of 'roots' performances that grew out of country, blues, and especially rock and roll. He often stuck around long after shows to talk with loyal fans. Many live CDs were released after his death.
Buchanan's long-standing alcohol and substance problems seemed to worsen with time, culminating on August 14th ,1988, when Buchanan was arrested for public intoxication.[citation needed] Several hours later Buchanan was found hanging in his cell, in the Fairfax County Jail, by his own shirt. His cause of death was officially recorded as suicide, a finding disputed by some of Buchanan's friends and family.[citation needed]
Roy's musical career took him from underground club gigs in the sixties and seventies to national television, gold record sales, and worldwide tours in the eighties with the likes of Lonnie Mack, the Allman Brothers, Willie Nile.
Even posthumously, he has the respect of many guitarists and a large number of fans, particularly for his unique sound. Buchanan was noted for the ability to get 'wah wah' and 'violin swell' effects from his Telecaster by use of the instrument's knobs and plectrum. Finally, he was a pioneer in the use of pinch harmonics, and some of rock's most notable guitarists acknowledge Buchanan's mastery of the technique.
British guitar legend Jeff Beck dedicated the song "Cause We've Ended As Lovers" to Buchanan in 1975 on his landmark album Blow by Blow.
In 2006, the Academy Award-winning Best Picture, The Departed by Martin Scorsese, ends with Buchanan's soulful instrumental treatment of the Don Gibson country music classic, "Sweet Dreams," as the credits begin to roll.
[ 本帖最后由 Rocky_平城狸 于 2008-4-11 20:29 编辑 ]
Rocky Raccoon checked into his room
Only to find Gideon's bible
Rocky had come equipped with the gun
to shoot off the legs of his rival
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